Wonder Wheel

2 out of 5 stars (2 / 5)

With all of the hypersensitivity to all things involving sexual misconduct in Hollywood, it is a wonder that the media’s spotlight has not focussed on Woody Allen. His personal life has provided the media with as much drama as many of his films. Even though his own dealings are less of a focus, he still manages to incorporate an autobiographical aspect into each of his scripts. He may not act in most of his modern films, but this does not mean that he does not incorporate his persona into cinema. This writing vehicle has worked at different degrees of success from Owen Wilson in Midnight in Paris to Jesse Eisenberg in Cafe Society, but with his latest film, he seems to stretch his larger than life personality across multiple characters.

For all of us who wonder about the residents of the flats above the shops along the beachfront, Allen opens the door to the tragic side of humanity in these unique dwellings in Wonder Wheel. Narrated through the words of Mickey (Justin Timberlake) the local lifeguard who is an aspiring playwright, he introduces Ginny (Kate Winslet) and Humpty (Jim Belushi) who live above the amusement park on the boardwalk. The limits of the tumultuous relationship between the carousel operator and his waitress wife are burst open with the surprise arrival of Carolina (Juno Temple), Humpty’s estranged daughter, who is on the run from the mob and Ginny’s young son who struggles with pyromania. During the heat of summer, the tensions in the small apartment rise as each character’s various secrets begin to affect each family member.

It is usually easy to pick out the neurotic characterisation that represents the acclaimed director in most of his work, but this venture on the Jersey shore is harder to identify. The melodramatic style of Mickey’s storytelling spreads the anxiety of Allen’s life with each of his lead characters. The choice to use an over-the-top manner of writing and acting plays more like a stage production, Which makes his neurosis more prominent and less entertaining. Allen usually partners his psychological turmoil with a touch of humour, but the film’s production contains all of the drama with no comedic release.

There is a beauty to the staging and lighting that show the skills of this seasoned storyteller, but it cannot make up for the poor execution of character development. With a background that seems two dimensional at times, the whole film has a bizarre feeling that each character is working independently of everyone else on the screen. Even with the narrator as the guide in the journey and a means of explaining their part in the drama, all it needs is a spotlight on each actor as they play their role. It was good to see Jim Belushi on screen and Winslet is tragically captivating, but much of the dialogue does not lead them to have any connection. Timberlake and Temple bring a youthful beauty and jaded innocence to the movie, but each role lacks the necessary depth to lift the story above the melodrama.

For the fans of Woody Allen or plays by the celebrated playwright, Eugene Oneil this is a lesson in shedding light on the darker elements of the human psyche, and this is the film for you. Wonder Wheel is an experiment for the controversial director that does not offer much more than ingenuity in the lighting of its stars and will most likely fail to connect with the average moviegoer.

REEL DIALOGUE: What are some of the bigger questions to consider from this film? 

How do you deal with life when it seems that nothing is going right? It is easy to turn to various vices for solace during these times. In Wonder Wheel, most of the characters deal with their issues through a multitude of self-destructive choices such as alcohol, sex and even fire. In the end, all of these options leave the characters with no hope and their lives with a painful emptiness. Which leads us back to the original question, where can people find hope during trials?

‘Humble yourselves, therefore, under the mighty hand of God so that at the proper time he may exalt you, casting all your anxieties on him, because he cares for you.’ – An excerpt from a letter written by the Apostle Peter

In an attempt to avoid being trite, a good place to turn is to the God of the Bible. The instructional side of Peter’s words are to understand that you need help, trusting that God can help you at all times and because he cares for you, you can give all of your concerns and difficulties over to him. During times of difficulties, this is a place of hope and help.

Reading more from Peter’s letter