It’s the period in the year where we traditionally look toward the Cross, so Reel Dialogue has gone back to the archives at Christianity Today and found critic Peter Chattaways excellent commentary on the top ten Jesus films.
So I guess all that is left is to read it and see if you agree with him.
They’ve been making films about the Son of God for over a century. Here’s one man’s list of those that ascend to the top of the cinematic pack.
Of the making of movies about Jesus, there is no end. In the first three months of this year alone: Son of Man, which casts a black man as Christ and sets his life in modern South Africa, got positive reviews at Sundance; the makers of Color of the Cross, which also casts a black man as Christ, established a website with trailers for their work-in-progress; and New Line Cinema announced that Oscar nominees Keisha Castle-Hughes (Whale Rider) and Shohreh Aghdashloo (House of Sand and Fog) will star as the Virgin Mary and her cousin Elizabeth in a new movie about the Nativity, to be released in time for Christmas.
Some of this activity can be credited to The Passion of The Christ, which shattered box-office records and sparked interest in religious films when it came out in 2004. But movies about Jesus have always been popular, especially in times of heightened spiritual interest—the countercultural craze of the 1970s, the millennial anxiety of the late 1990s, etc.
No interpretation of the life of Christ can ever tell the full story. That is, indeed, one of the reasons we have four Gospels; each one paints a unique portrait of the Savior and emphasizes a different set of themes. Similarly, no mere movie about Jesus can capture the fullness of his divinity, or the fullness of his humanity, no matter how sincere its makers are; but the better films can help us to see a small part of the bigger picture.
This list is limited to those that focus mainly on Jesus’ life story as told in the Gospels; thus, it does not include films about characters who are only peripherally connected to Jesus, such as Ben-Hur (1925, 1959). Also, because each film has its strengths and weaknesses, they are listed in simple chronological order; no ranking is implied.